mirror of
https://github.com/jzillmann/pdf-to-markdown.git
synced 2024-12-02 12:44:26 +01:00
78db114632
- Convert the `example PDFs` with the old `pdf-to-markdown` and write them to text files - Compare the text files with the conversion of the current code - Next: - Improve the current code to match good conversions of the old code - Adapt the text files in case the current conversion is better than the old - Current tests are breaking
401 lines
16 KiB
Markdown
401 lines
16 KiB
Markdown
```
|
||
{from} THE {New York} SUN, SUNDAY, MARCH 25, 1877.
|
||
```
|
||
## THE MAN WITHOUT A BODY
|
||
|
||
```
|
||
{by Edward Page Mitchell}
|
||
```
|
||
On a shelf in the old Arsenal museum, in the
|
||
Central Park, in the midst of stuffed
|
||
hummingbirds, ermines, silver foxes, and
|
||
bright- colored parakeets, there is a ghastly row
|
||
of human heads. I pass by the mummied
|
||
Peruvian, the Maori chief, and the Flathead
|
||
Indian to speak of a Caucasian head which has
|
||
had a fascinating interest to me ever since it was
|
||
added to the grim collection a little more than a
|
||
year ago.
|
||
I was struck with the Head when I first saw it.
|
||
The pensive intelligence of the features won
|
||
me. The face is remarkable, although the nose
|
||
is gone, and the nasal fossæ are somewhat the
|
||
worse for wear. The eyes are likewise wanting,
|
||
but the empty orbs have an expression of their
|
||
own. The parchmenty skin is so shriveled that
|
||
the teeth show to their roots in the jaws. The
|
||
mouth has been much affected by the ravages
|
||
of decay, but what mouth there is displays
|
||
character. It seems to say: "Barring certain
|
||
deficiencies in my anatomy, you behold a man
|
||
of parts!" The features of the Head are of the
|
||
Teutonic cast, and the skull is the skull of a
|
||
philosopher. What particularly attracted my
|
||
attention, however, was the vague resemblance
|
||
which this dilapidated countenance bore to
|
||
some face which had at some time been familiar
|
||
to me **—** some face which lingered in my
|
||
memory, but which I could not place.
|
||
After all, I was not greatly surprised, when I
|
||
had known the Head for nearly a year, to see it
|
||
acknowledge our acquaintance and express its
|
||
appreciation of friendly interest on my part by
|
||
deliberately winking at me as I stood before its
|
||
glass case.
|
||
This was on a Trustees' day, and I was the
|
||
only visitor in the hall. The faithful attendant
|
||
had gone to enjoy a can of beer with his friend,
|
||
the superintendent of the monkeys.
|
||
The Head winked a second time, and even
|
||
more cordially than before. I gazed upon its
|
||
efforts with the critical delight of an anatomist.
|
||
I saw the masseter muscle flex beneath the
|
||
leathery skin. I saw the play of the buccinators,
|
||
and the beautiful lateral movement of the
|
||
internal pterygoid. I knew the Head was trying
|
||
to speak to me. I noted the convulsive
|
||
twitchings of the risorius and the zygomatie
|
||
|
||
```
|
||
major, and knew that it was endeavoring to
|
||
smile.
|
||
"Here," I thought, "is either a case of vitality
|
||
long after decapitation, or, an instance of reflex
|
||
action where there is no diastaltic or excitor-
|
||
motory system. In either case the phenomenon
|
||
is unprecedented, and should be carefully
|
||
observed. Besides, the Head is evidently well
|
||
disposed toward me." I found a key on my
|
||
bunch which opened the glass door.
|
||
"Thanks," said the Head. "A breath of fresh
|
||
air is quite a treat."
|
||
"How do you feel?" I asked politely. "How
|
||
does it seem without a body?"
|
||
The Head shook itself sadly and sighed. "I
|
||
would give," it said, speaking through its
|
||
ruined nose, and for obvious reasons using
|
||
chest tones sparingly, "I would give both ears
|
||
for a single leg. My ambition is principally
|
||
ambulatory, and yet I cannot walk. I cannot
|
||
even hop or waddle. I would fain travel, roam,
|
||
promenade, circulate in the busy paths of men,
|
||
but I am chained to this accursed shelf. I am no
|
||
better off than these barbarian heads — I, a man
|
||
of science! I am compelled to sit here on my
|
||
neck and see sandpipers and storks all around
|
||
me, with legs and to spare. Look at that infernal
|
||
little Oedieneninus Longpipes over there. Look
|
||
at that miserable Gray-headed Porphyrio. They
|
||
have no brains, no ambition, no yearnings. Yet
|
||
they have legs, legs, legs in profusion." He cast
|
||
an envious glance across the alcove at the
|
||
tantalizing limbs of the birds in question, and
|
||
added gloomily, "There isn't even enough of
|
||
me to make a hero for one of Wilkie Collins's
|
||
novels."
|
||
I did not exactly know how to console him in
|
||
so delicate a manner, but ventured to hint that
|
||
perhaps his condition had its compensations in
|
||
immunity from corns and the gout.
|
||
"And as to arms," he went on, "there's
|
||
another misfortune for you! I am unable to
|
||
brush away the flies that get in here — Lord
|
||
knows how — in the summertime. I cannot
|
||
reach over and cuff that confounded Chinook
|
||
mummy that sits there grinning at me like a
|
||
jack-in-the-box. I cannot scratch my head or
|
||
even blow my nose [his nose!] decently when I
|
||
get cold in this thundering draught. As to eating
|
||
```
|
||
|
||
and drinking, I don't care. My soul is wrapped
|
||
up in Science. Science is my bride, my divinity.
|
||
I worship her footsteps in the past, and hail the
|
||
prophecy of her future progress. I **—** "
|
||
I had heard these sentiments before. In a flash
|
||
I had accounted for the familiar look which had
|
||
haunted me ever since I first saw the Head.
|
||
"Pardon me," I said, "you are the celebrated
|
||
Prof. Dummkopf?"
|
||
"That is, or was, my name," he replied, with
|
||
dignity.
|
||
"And you formerly lived in Boston, where you
|
||
carried on scientific experiments of startling
|
||
originality. It was you who first discovered how
|
||
to photograph smell, how to bottle music, how
|
||
to freeze the aurora borealis. It was you who first
|
||
applied spectrum analysis to Mind."
|
||
"These were some of my minor
|
||
achievements," said the Head, sadly nodding
|
||
itself **—** " small when compared with my final
|
||
invention, the grand discovery which was at the
|
||
same time my greatest triumph and my ruin. I
|
||
lost my Body in an experiment."
|
||
"How was that?" I asked. "I had not heard."
|
||
"No," said the Head. "Living alone and
|
||
friendless, my disappearance was hardly
|
||
noticed. I will tell you **—** "
|
||
There was a sound upon the stairway.
|
||
"Hush!" cried the Head. "Here comes
|
||
somebody. We must not be discovered. You
|
||
must dissemble."
|
||
I hastily closed the door of the glass case,
|
||
locked it just in time to evade the vigilance of
|
||
the returning keeper, and dissembled by
|
||
pretending to examine, with great interest, Anas
|
||
Acuta, or Pin-tailed Duck.
|
||
On the next Trustees' day I revisited the
|
||
Museum and gave the keeper of the Head a
|
||
dollar on the pretense of purchasing
|
||
information in regard to the curiosities in his
|
||
charge. He made the circuit of the hall with me,
|
||
talking volubly all the while.
|
||
"That there," he said, as we stood before the
|
||
Head, "is a relict of morality presented to the
|
||
Museum fifteen months ago. The head of a
|
||
notorious murderer gilteened at Paris in the last
|
||
century, sir."
|
||
I fancied that I saw a slight twitching about
|
||
the corners of Prof. Dummkopf **’** s mouth and an
|
||
almost imperceptible depression of what was
|
||
once his left eyelid, but he kept his face
|
||
remarkably well under the circumstances. I
|
||
|
||
```
|
||
dismissed my guide with many thanks for his
|
||
intelligent services, and, as I had anticipated, he
|
||
departed forthwith to invest his easily earned
|
||
dollar in beer, leaving me to pursue my
|
||
conversation with the Head.
|
||
"Think of putting a wooden-headed idiot like
|
||
that," said the Professor, after I had opened his
|
||
glass prison, "in charge of a portion, however
|
||
small, of a man of science — of the inventor of
|
||
the Telepomp! Paris! Murderer! Last century,
|
||
indeed!" and the Head shook with laughter
|
||
until I feared that it would tumble off the shelf.
|
||
"You spoke of your invention, the
|
||
Telepomp," I suggested.
|
||
"Ah, yes," said the Head, simultaneously
|
||
recovering its gravity and its center of gravity;
|
||
"I promised to tell you how I happen to be a
|
||
Man without a Body. You see that some three
|
||
or four years ago I discovered the principle of
|
||
the transmission of sound by electricity. My
|
||
Telephone, as I called it, would have been an
|
||
invention of great practical utility if I had been
|
||
spared to introduce it to the public. But, alas-"
|
||
"Excuse the interruption," I said, "but I must
|
||
inform you that somebody else has recently
|
||
accomplished the same thing. The Telephone
|
||
is a realized fact."
|
||
"Have they gone any further?" he eagerly
|
||
asked. "Have they discovered the great secret
|
||
of the transmission of atoms? In other words,
|
||
have they accomplished the Telepomp?"
|
||
"I have heard nothing of the kind," I hastened
|
||
to assure him, "but what do you mean?"
|
||
"Listen," he said. "In the course of my
|
||
experiments with the Telephone I became
|
||
convinced that the same principle was capable
|
||
of indefinite expansion. Matter is made up of
|
||
molecules, and molecules, in their turn, are
|
||
made up of atoms. The atom, you know, is the
|
||
unit of being. The molecules differ according to
|
||
the number and the arrangement of their
|
||
constituent atoms. Chemical changes are
|
||
effected by the dissolution of the atoms in the
|
||
molecules and their rearrangements into
|
||
molecules of another kind. This dissolution
|
||
may be accomplished by chemical affinity or by
|
||
a sufficiently strong electric current. Do you
|
||
follow me?"
|
||
"Perfectly."
|
||
"Well, then, following out this line of thought,
|
||
I conceived a great idea. There was no reason
|
||
why matter could not be telegraphed, or, to be
|
||
```
|
||
|
||
etymologically accurate, 'telepomped.' It was
|
||
only necessary to effect at one end of the line the
|
||
disintegration of the molecules into atoms, and
|
||
to convey the vibrations of the chemical
|
||
dissolution by electricity to the other pole,
|
||
where a corresponding reconstruction could be
|
||
effected from other atoms. As all atoms are
|
||
alike, their arrangement into molecules of the
|
||
same order, and the arrangement of those
|
||
molecules into an organization similar to the
|
||
original organization, would be practically a
|
||
reproduction of the original. It would be a
|
||
materialization **—** not in the sense of the
|
||
Spiritualists' cant, but in all the truth and logic
|
||
of stern science. Do you still follow me?"
|
||
"It is a little misty," I said, "but I think I get
|
||
the point. You would telegraph the Idea of the
|
||
matter, to use the word Idea in Plato's sense."
|
||
"Precisely. A candle flame is the same candle
|
||
flame although the burning gas is continually
|
||
changing. A wave on the surface of water is the
|
||
same wave, although the water composing it is
|
||
shifting as it moves. A man is the same man
|
||
although there is not an atom in his body which
|
||
was there five years before. It is the Form, the
|
||
Shape, the Idea, that is essential. The vibrations
|
||
that give individuality to matter may be
|
||
transmitted to a distance by wire just as readily
|
||
as the vibrations that give individuality to
|
||
sound. So I constructed an instrument by which
|
||
I could pull down matter, so to speak, at the
|
||
anode and build it up again on the same plan at
|
||
the cathode. This was my Telepomp."
|
||
"But in practice **—** how did the Telepomp
|
||
work?"
|
||
"To perfection! In my rooms on Joy street, in
|
||
Boston, I had about five miles of wire. I had no
|
||
difficulty in sending simple compounds, such
|
||
as quartz, starch, and water, from one room to
|
||
another over this five-mile coil. I shall never
|
||
forget the joy with which I disintegrated a three-
|
||
cent postage stamp in one room and found it
|
||
immediately reproduced at the receiving
|
||
instrument in another. This success with
|
||
inorganic matter emboldened me to attempt the
|
||
same thing with a living organism. I caught a
|
||
cat **—** a black and yellow cat **—** and I submitted
|
||
him to a terrible current from my two-hundred-
|
||
cup battery. The cat disappeared in a twinkling.
|
||
I hastened to the next room and, to my immense
|
||
satisfaction, found Thomas there, alive and
|
||
|
||
```
|
||
purring, although somewhat astonished. It
|
||
worked like a charm."
|
||
"This is certainly very remarkable."
|
||
"Isn't it? After my experiment with the cat, a
|
||
gigantic idea took possession of me. If I could
|
||
send a feline being, why not send a human
|
||
being? If I could transmit a cat five miles by
|
||
wire in a flash of electricity, why not transmit a
|
||
man to London by Atlantic cable and with equal
|
||
despatch? I resolved to strengthen my already
|
||
powerful battery and try the experiment. Like a
|
||
thorough votary of science, I resolved to try the
|
||
experiment on myself.
|
||
"I do not like to dwell upon this chapter of my
|
||
experience," continued the Head, winking at a
|
||
tear which had trickled down on to his cheek
|
||
and which I silently wiped away for him with my
|
||
own pocket handkerchief. "Suffice it that
|
||
I trebled the cups in my battery, stretched my
|
||
wire over housetops to my lodgings in Phillips
|
||
street, made everything ready, and with a
|
||
solemn calmness born of my confidence in the
|
||
theory, placed myself in the receiving
|
||
instrument of the Telepomp at my Joy street
|
||
office. I was as sure that when I made the
|
||
connection with the battery I would find myself
|
||
in my rooms in Phillips street as I was sure of
|
||
my existence. Then I touched the key that let on
|
||
the electricity. Alas!"
|
||
For some moments my friend was unable to
|
||
speak. At last, with an effort, he resumed his
|
||
narrative.
|
||
"I began to disintegrate at my feet and slowly
|
||
disappeared under my own eyes. My legs
|
||
melted away, and then my trunk and arms. That
|
||
something was wrong, I knew from the
|
||
exceeding slowness of my dissolution, but I was
|
||
helpless. Then my head went and I lost all
|
||
consciousness. According to my theory, my
|
||
head, having been the last to disappear, should
|
||
have been the first to materialize at the other
|
||
end of the wire. The theory was confirmed in
|
||
fact. I recovered consciousness. I opened my
|
||
eyes in my Phillips street apartments. My chin
|
||
was materializing, and with great satisfaction I
|
||
saw my neck slowly taking shape. Suddenly,
|
||
and about at the third cervical vertebra, the
|
||
process stopped. In a flash I knew the reason. I
|
||
had forgotten to replenish the cups of my
|
||
battery with fresh sulphuric acid, and there was
|
||
not electricity enough to materialize the rest of
|
||
```
|
||
|
||
me. I was a Head, but my body was, Lord
|
||
knows where!"
|
||
I did not attempt to offer consolation. Words
|
||
would have been mockery in the presence of
|
||
Prof. Dummkopf's grief.
|
||
"What matters it about the rest?" he sadly
|
||
continued. "The house in Phillips Street was
|
||
full of medical students. I suppose that some of
|
||
them found my Head, and knowing nothing of
|
||
me or of the Telepomp, appropriated it for
|
||
purposes of anatomical study. I suppose that
|
||
they attempted to preserve it by means of some
|
||
arsenical preparation. How badly the work was
|
||
done is shown by my defective nose. I suppose
|
||
that I drifted from medical student to medical
|
||
student, and from anatomical cabinet to
|
||
anatomical cabinet until some would-be
|
||
humorist presented me to this collection as a
|
||
French murderer of the last century. For some
|
||
months I knew nothing, and when I recovered
|
||
consciousness I found myself here.
|
||
"Such," added the Head, with a dry, harsh
|
||
laugh, "is the irony of Fate!"
|
||
"Is there nothing I can do for you?" I asked,
|
||
after a pause.
|
||
"Thank you," the Head replied; "I am
|
||
tolerably cheerful and resigned. I have lost
|
||
pretty much all interest in experimental
|
||
Science. I sit here day after day and watch the
|
||
objects of zoological, ichthyological,
|
||
ethnological, and conchological interest with
|
||
which this admirable museum abounds. I don't
|
||
know of anything you can do for me.
|
||
"Stay," he added, as his gaze fell once more
|
||
upon the exasperating legs of the Oedieneninus
|
||
Longpipes opposite him. "If there is anything I
|
||
do feel the need of, it is out-door exercise.
|
||
Couldn't you manage in some way to take me
|
||
out for a walk?"
|
||
I confess that I was somewhat staggered by
|
||
this request, but promised to do what I could.
|
||
After some deliberation, I formed a plan, which
|
||
was carried out in the following manner:
|
||
I returned to the Museum that afternoon just
|
||
before the closing hour, and hid myself behind
|
||
the mammoth sea cow, or Manatus
|
||
Americanus. The attendant, after a cursory
|
||
glance through the hall, locked up the building
|
||
and departed. Then I came boldly forth and
|
||
removed my friend from his shelf. With a piece
|
||
of stout twine, I lashed his one or two vertebrae
|
||
to the headless vertebrae of a skeleton Moa.
|
||
|
||
```
|
||
This gigantic and extinct bird of New Zealand
|
||
is heavy legged, full breasted, tall as a man, and
|
||
has huge, sprawling feet. My friend, thus
|
||
provided with legs and arms, manifested
|
||
extraordinary glee. He walked about, stamped
|
||
his big feet, swung his wings, and occasionally
|
||
broke forth into an hilarious shuffle. I was
|
||
obliged to remind him that he must support the
|
||
dignity of the venerable bird whose skeleton he
|
||
had borrowed. I despoiled the African lion of his
|
||
glass eyes, and inserted them in the empty
|
||
orbits of the Head. I gave Prof. Dummkopf a
|
||
Fiji war lance for a walking stick, covered him
|
||
with a Sioux blanket, and then we issued forth
|
||
from the old Arsenal into the fresh night air and
|
||
the moonlight, and wandered arm in arm along
|
||
the shores of the quiet lake and through the
|
||
mazy paths of the Ramble.
|
||
```
|
||
## {THE END}
|
||
|
||
|